Behringer monopoly mod#
Other Controllers: Pitchbend, Mod MG1 wheel.Type of Keys: Semi-weighted, Full-size, Velocity-sensitive.Internal control outputs: Trigger out, CV out, Switch.External control inputs: Arpeggiator Sync in, Portamento, VCF cutoff freq mod, VCO freq mod, Trigger in, Trigger in.VCF, 2 LFOs, 2 envelopes, sync and cross modulation.4 VCOs, each with 4 selectable waveforms.Modern reimagining of a legendary ’80s synth.Trust us: you won’t want to let go!īehringer MonoPoly 4-voice Analog Synthesizer Features: Get your hands on the Behringer MonoPoly.
Behringer monopoly professional#
It’s all wrapped up in a roadworthy, vintage-inspired chassis with a control panel you can angle to taste, satisfying knobularity for real-time, hands-on tweakery, 37 great-feeling keys, exhaustive professional I/O, and prototypical wooden end caps. From fat basses and searing leads to jazzy chord voicings, MonoPoly has you covered.īut there’s more! In addition to its four VCOs, MonoPoly is also outfitted with a classic VCF, two LFOs (low-frequency oscillators), two envelopes, sync and cross modulation, and an arpeggiator. In practice, this gives you a huge amount of musical flexibility. The MonoPoly’s variable architecture allows you to use it in either monophonic or 4-voice “Poly” (paraphonic) mode, in which the four oscillators are allocated to individual notes that are then summed to a shared monophonic signal path. And they can be yours for a song!Īnother singular feature of the Behringer MonoPoly - again, faithful to the original - is its ability to split its four voices. Today, the sounds of the ’80s are alive and well in the Behringer MonoPoly.
These are the sounds that drove iconic hit records from artists such as Depeche Mode and Vince Clarke. The Behringer MonoPoly’s pure analog signal path is based on the authentic MonoPoly circuitry as well as other exceptional VCO, VCF (voltage-controlled filter), and VCA (voltage-controlled amplifier) designs from the 1980s. The ability to sync and subtly detune oscillators so that they “rubbed” against each other are cornerstone synthesis techniques having four VCOs to deploy gives you a formidable sonic arsenal to forge a broad range of unique signature sounds. While many ’70s synths sported two VCOs, having access to three was considered a luxury. The impossibly rich sound of the Behringer MonoPoly is a function of its four true-to-the-original voltage-controlled oscillators (VCOs). But fret not! We're proud to present the Behringer MonoPoly, a meticulous reimagining of the coveted beast, seamlessly infused with modern features and reliability. Today, vintage MonoPolys are quite rare - and rather pricey even if you can find one. As good as it was, it was, curiously, only on the market for three years. Equipped with no less than four oscillators (each with multiple waveforms), the MonoPoly was capable of insanely fat sounds and prodigious bass that could blow holes through walls. One such analog synth, the MonoPoly, made its debut in 1981. In the feverish musical creativity of early ’80s, the clangorous sounds of early digital synths were offset by the supremely lush sounds of a new crop of analog synthesizers, both joining forces to spearhead the synth pop insurgency of the coming decade. Tap into the Epic Synth Sounds of the ’80sīy the dawn of the 1980s, analog synthesis had matured to a level of sophistication that nascent digital technology could scarcely hope to match. 37-key, 4-voice Mono/Paraphonic Analog Synthesizer with 4 VCOs, VCF, 2 LFOs, 2 Envelopes, Sync and Cross Modulation, and Arpeggiator :
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